The Midwife's Apprentice
Book title _______ The Midwife's Apprentice________________
Author, Illustrator ________ Karen Cushman__________________________
Publisher, Year ____ Houghton Mifflin Harcourt,
2019 ______________
Bibliography
Cushman, K. (2019). The Midwife's Apprentice.
New York, NY: Houghton Mifflin Harcourt.
ISBN 978-1328631121
Plot Summary
The story of The Midwife's
Apprentice involves a young girl living in medieval England around the age
of 12 or 13 who believes that she will not amount to anything. After gaining an
apprenticeship with a midwife named Jane, the young girl - eventually
self-named Alyce - defies all expectations held to her by society and herself.
Critical Analysis
The Midwife’s Apprentice is
one of the many books Cushman has written that is an award-winning children
historic fiction novel. Like her other award-winning book, Catherine Called
Birdy, which is also set in the medieval era. Cushman even includes a
bibliography of the books she used when writing her novels including Ian
Mortimer’s Time Traveler's Guide to Medieval England: A Handbook for
Visitors to the Fourteenth Century. This is to ensure the information is
accurate for that time period. This can be seen throughout the novel. For
example, chapter 7 titled The Devil describes the event when the village
believed that the Devil was among them. There were strange footprints found all
over the village that lead to people who were committing sins. This is seen
when the villagers went along the Old North Road where the baker waited for Jane,
the midwife. It was there that the baker’s wife learned of his adultery. The
audience soon learned it was Alyce who used “blocks of wood carved in the
shapes of hooves” to punish those who taunt or tormented her. During this time,
many people believed in witchcraft and that the Devil would come to tempt them
to commit sins. When in fact, just like the Salem Witch Trials, there were
other explanations to rationalize these occurrences.
Cushman also took into
consideration the language and holidays used during the time period. This is
seen with phrases such as “Lady Day,” “Corpus Christi Day,” “lackwit,” and
“clodpole.” These terms are not typically used in American literature today. Though
it may take some time for the readers to adjust to the language, Cushman
provides with clear detail the important events that impact Alyce. One of them is
when Alyce helps delivers a child. Then, later, she could not help another
woman deliver her child. Consequently, Alyce runs away since she starts to
believe again that she is not good enough. What is the most impactful about the
scenario is when Jane arrives at the inn Alyce was working at and talked to
Magister Reese about Alyce. Jane was not disappointed that Alyce could not
deliver the child, but that she ran away. This comes into a full circle when
Alyce returns to Jane and is determined to be Jane’s apprentice again. This
shows that if you would want something, you may not get it right the first time
and that is okay. What matters is the determination to learn from your mistakes;
which is clearly a takeaway for Alyce by the end of the story.
With an introduction by Lois Lowry,
this sets the tone and setting for the book as she talks about the time period.
Afterward, the story begins with Alyce, who is known as Brat or Beetle at that
time, living in the streets. From then on, the reader follows Alyce and her
journey of self-discovery. Cushman even includes an excerpt from Catherine
Called Birdy for those readers who enjoyed the book and would like to know
more about her other book. Though there are no illustrations within the book,
the cover reflects Alyce and Purr as Cushman and describes them at the end of
the book. In the beginning, Alyce was described as thin and dirty. Throughout
the story, Alyce slowly grows to an attractive and capable young woman with a
cat companion as shown in the cover of the book.
Review Excerpts and Awards
·
Newberry Medal
Kirkus Reviews “How Brat comes to terms with her failure and
returns to Jane's home as a true apprentice is a gripping story about a time,
place, and society that 20th-century readers can hardly fathom. Fortunately,
Cushman (Catherine, Called Birdy, 1994) does the fathoming for them, rendering
in Brat a character as fully fleshed and real as Katherine Paterson's best, in
language that is simple, poetic, and funny.”
Publishers Weekly “has an almost unrivaled ability to build
atmosphere, and her evocation of a medieval village, if not scholarly in its
authenticity, is supremely colorful and pungent”
Connections
If you would like to know more of Karen Cushman other
novels, please visit her website at https://www.karencushman.com/
Or if you would like to read more historical fiction based
in the medieval era, please consider looking into the following novels:
·
The Knight at Dawn (Magic Tree House, No. 2) by Mary
Pope Osborne ISBN 978-0679824121
·
The Door in the Wall by Marguerite de Angeli ISBN
978-0440227793
·
Marguerite Makes a Book by Bruce Robertson ISBN
978-0892363728

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